Turing Tests in Creative Arts
Dartmouth College
Since it was conceived in 1950, the
Turing Test - named for Alan Turing, saint of "The Imitation Game" -
has been the standard method for surveying counterfeit consciousness: Machines
are judged on how well they display clever conduct, more often than not in
discussion or amusement playing, that to a human audience or eyewitness would
be undefined from that of a genuine individual.
The previous summer, two educators
at Dartmouth College proposed an innovative variety: the Turing Tests in
Creative Arts, testing members to submit calculations that can produce
human-quality craftsmanship.
"In particular," Dan
Rockmore (an educator of math and software engineering) and Michael Casey (a
teacher of music and software engineering) write in a paper that talks about
the task, "we inquire as to whether machines are fit for creating poems,
short stories, or move music that is undefined from human-produced works,
however maybe not yet so progressed as Shakespeare, O. Henry or Daft
Punk."
The opposition has three sections:
DigiLit, where the test is making a New Yorker-level short story; PoetiX, where
the item should be a 14-line work in measured rhyming; and AlgoRhythms, where
the PC needs to make a 15-minute movie set. In all cases, the product will be
granted a "seed" - a verbal picture in the artistic challenge and a
solitary track of music for the move. Coordinators will blend the sections in
with human-created work. A board of artistic judges will be requested that make
sense of which sonnets and stories were composed by machines; for the music,
judges will be more understudies. A champ is any PC passage that tricks the
judges into speculation its maker was still alive.
The outcomes will be declared May 18
at Dartmouth's Digital Arts Exposition.
© 2016 The
Washington Post
Post a Comment
EmoticonClick to see the code!
To insert emoticon you must added at least one space before the code.